On a late August day, 13.5 miles deep in the Wind River Range and 1,100 feet up an unclimbed cliff face, storm clouds gathered around us while our hopes were fading. Jared Leader, a good friend and long-time climbing partner, had been working on pitch-9, digging dirt from a crack — a task often necessary to climb a route that has never been tried before — for nearly three hours, while Heath Rowland, my serial adventure partner, and I debated whether our belay anchor was secure. Leader was exhausted, his hands blistered from swinging the sharp end of a hammer into the dirt. The dream of establishing the first free ascent of The Illness (5.11-, 10 pitches, 1,300 feet) was slipping away.
Our window of opportunity was closing, and a decision to retreat was imminent but my thoughts drifted elsewhere. This was our third year attempting to free climb The Illness, the same number of times James and Franziska Garrett, and Fred Beckey (‘88, ’97, and ‘99) had originally attempted and failed to free the route. The parallels of the story did not escape us. Even the route name, The Illness, emerged after the original ascent party remarked that anyone who returned to the remote wall three times, endured the brutal hike and blue-collar aid climbing, must have had “an illness.”
I had always considered myself an introverted creature of passion and discipline. From a young age, I’d thrown myself into hobbies and sports with a fervor that frequently left friends and family questioning my sanity. Whether it was fishing, racing bikes, or climbing rocks, I was immersed, driven by a deep, intrinsic obsession to perfect every process. However, it wasn’t until I visited the Wolverine Cirque, an impressive amphitheater of mostly unclimbed craggy peaks, that I understood the true nature of obsession.

















